The collection seamlessly merges traditional craftsmanship with contemporary design sensibilities, showcasing the versatility of this ancient material.

The collection's narrative begins with its source material - the remarkable urushi tree, a member of the sumac family indigenous to northern Japan. Archaeological evidence dates the first human interaction with this species back ten millennia on Hokkaido island. The tree yields a distinctive sap that, through careful processing involving water evaporation and filtration, transforms into the prized urushi lacquer. This deep connection between material and source is reflected in the Japanese language, where both tree and lacquer share the same name, emphasizing the cultural significance of this natural resource.

Historically serving both functional and decorative purposes, urushi lacquer has demonstrated versatility across various materials including paper, wood, metal, ceramics, and glass. Its evolution from a practical adhesive to a sophisticated decorative medium was marked by the introduction of colored pigments, leading to its widespread adoption in Japanese architecture and daily objects, from temple elements to household vessels.

The KAMI collection represents a contemporary interpretation of this time-honored technique. The range encompasses an array of furniture pieces - including tables, consoles, and cabinets - alongside lighting fixtures. Each piece demands exceptional craftsmanship, achieved through a meticulous process of alternating between surface polishing and the application of multiple urushi layers. The studio's experimental approach has yielded innovative finishes that play with transparency and texture, creating dynamic interactions between material and form. The collection's distinctive rounded silhouettes are deliberately designed to maximize the lacquer's light-catching properties.